Gladys Triana
Born in Camagüey, Cuba / American Citizen
Lives in New York City
Education
M. A. Long Island University, Brooklyn, New York, 1977
B.A. Mercy College, Dobbs Ferry, New York, 1976
Etching, silkscreen, San Fernando University, Madrid, Spain, 1972
Philosophy (unfinished) Oriente University, Santiago de Cuba, Cuba, 1955
Teacher, Educational School, Bayamo, Cuba, 1954
Selected Solo Exhibitions
2014 Sharply into a Light Space, Point of Contact Gallery, Warehouse Building, Syracuse, NY
2013 Gladys Triana Meditation/Space, H. Pelham Curtis Gallery, New Canaan, CT
2012 Games on the Dark, Hardcore Art Contemporary Space, Miami Fl.
2008 Stillness, Photography, Signature Gallery, Miami, Fl.
Each Time is Now, Signature Gallery, Miami, Fl
2006 Dibujo en Dos Tiempos, Museo Francisco Goitía, Zacatecas, México
2005 Cada Vez es Ahora, Museo de Arte Contemporáneo, Aguascalientes, México
Gladys Triana, New Photography, Alfred Lerner Hall, Columbia University, New York
2004 Confluencias, Cada vez es Ahora, Museo de la Ciudad, Querétaro, México
Confluencias, Cada vez es Ahora, Centro Cultural Casa El Diezmo, Celaya, México
2003 Cada Vez es Ahora, Centro Cultural Recoleta, Buenos Aires, Argentina
Confluencias, Centro Cultural El Palillero, Ayuntamiento de Cádiz, España
2000 Movement-Transformation, Drawings, Intar Gallery, New York
1997 Jeux de Mémoire, Espace Nesle, Paris, France.
Gladys Triana Paintings, Konstcentrum I, Ronneby, Sweden.
Acuarelas, Pinturas y Libros, Trapecio Gallery, Lima, Peru
1995 The Path to Memory, The Island, Installation, Bronx, Museum of the Arts, New York
1991 El Camino de la Memoria, El Laberinto, Museo de Arte Moderno, Santo Domingo, Dominican Republic.
Gladys Triana, Galeria Nader, Fine Arts, Santo Domingo, Dominicana Republic
1990 Gladys Triana, Movement-Transformation, Collages, Museum of Contemporary Hispanic Art, New York.
1988 Gladys Triana Drawings and Paintings, Cuban Museum of Art and Culture, Miami.
1975 Drawings by Gladys Triana, Intar Gallery, New York
1974 Gladys Triana, Drawings and Paintings, Sarduy Gallery, New York
1971 Abstracciones, Galeria Tramontana, Madrid, Spain
1964 1964 Salon Nacional de Pintura y Escultura. Homenaje a Fidelio Ponce de León.
Palacio de Bellas Artes, Habana, Cuba
1964 Naturalezas Muertas, Ateneo de Marianao Gallery, Habana, Cuba
1963 Dibujos y Pinturas, Galeria El Lyceum, Habana, Cuba
1962 Gladys Triana, Pinturas,Galeria El Lyceum, Habana, Cuba
Selected Group Exhibitions
2014 Cintas Collections, 50 Years, Miami Dade College’s (MDC) Museum of Art + Design, National Historic Landmark Freedom Tower at Miami, Miami, FL
2013 Antonia Eiriz: A Painter and Her Audience, Miami Dade College’s (MDC) Museum of Art + Design, National Historic Landmark Freedom Tower at Miami, Miami, FL
2012 Foto image, Transitos, Museo De Arte Moderno, Santo Domingo Republica Dominicana
SHUTTER, Selected Photographs From the Cintas Foundation Fellows Collection, Freedom Tower at Miami Dade College, Thursday, Mayo 24-Octuber 6.
That Was Then, This is Now /Selection from the LUAG Teaching Collection. Lower Gallery, Zoellner Arts Center, Lehigh University. Bethlehem, PA
Restage, Project NightClub, AT 801, Friday April 13, 801 SW 3rd Ave, Miami FL
2011 Voces y Visiones: Signs, Systems & The City from the Collection at El Museo Del Barrio,
New York (from Dec 23, 2010 to Dec.12, 2011)
Woman Embodied: Cuban Artist Across the Diaspora, in Memorial of Ana Mendieta at
The Art Center of Colorado, Colorado Springs, CO
Women Photographers: Selections from the LUAG Teaching Collection. Celebrating 40 Years of Women at Lehigh. Dubois Gallery, Maginnes Hall, Lehigh University.
Bethlehem, PA
FACES 100 Cuban Artists, photographs by Carlos Miguel Cárdenes at The Art Center of Colorado, Colorado Springs, CO
The Last Book, New York Public Library, Aguilar, New York
2010 New Media Festival 10, Hardcore Art Contemporary Space, Miami, Florida
Latin American Art 3, from LUAG Teaching Collection, Arts Center, Lehigh University Arts Galleries, Bethlehem, PA
Group Exhibition, hardcore art contemporary space, Miami, Florida
FACES 100 Cuban Artists, photographs by Carlos Miguel Cardenes at the Freedom Tower, Miami Dade College Wolfson Campus, Downtown, Miami
La Fotografia en Iberoamerica, Galeria Fernando Pradilla, Madrid, Spain
The Last Book, Zentral Bibliothek, Zurich, Switzerland.
2009 Cintas Fellowship Exhibition, The Patricia and Phillip Frost Art Museum-FIU Miami, Florida
SQUARED IN /SQUARED OUT, hardcore art contemporary space, Miami, Florida
2008 Terapia de Grupo, Galeria Fernando Pradilla, Madrid, Spain
The Last Book. Project by Luis Camnitzer. Biblioteca Nacional, Buenos Aires, Argentina.
Yearnings and Reality, Sutton Art Gallery, New York
Latin American Masters from the Ulla and Greger Olson Collection at
Stora Frosunda, SAS Castel, Stockholm, Sweden.
Reflections Contemporary Cuban Art, Silvermine Guild Arts Center, New Canaan,
Conneticut
2007 Cuban Americans in Focus, a photography exhibition from the Selection from the LUAG Collection, in Kean University Gallery CAS, Union, New Jersey
2006 Layers: Collecting Cuban-American Art, at Buffalo University, Art Gallery/Center for the Arts, College of Arts and Sciences, Buffalo, New York
Latinoamerican Photography II: Selection from the LUAG Collection, Arts Center, Zoellner Main Gallery, Lehigh University Arts Galleries, Bethlehem, PA
2004 III ES 2004 Tijuana/Biennial International of Standards, Bienal Internacional de Estandartes, Centro Cultural de Tijuana, Tijuana, México; traveled to the Festival Cervantino, Cancha de Cristal, Universidad de Guanajuato; Palacio del Clavijero, Morelia, Michoacán, Galería de Arte Contemporáneo y Diseño, Puebla, México
Discovery: New and Emerging Photography-Six New Visions, Siegel Gallery, Iaccoca Hall, Lehigh University Art Galleries, Bethlehem, Pennsylvania.
2003 Open ev+a 2003, Limerick City Gallery of Art, Limerick, Ireland.
Contemporary Cuban Art, Universidad de Miami at Casa Bacardi Gallery, Miami, Fl
Contemporary Cuban Art in New York, Bill Maynes Gallery, Chelsea, New York
Salida de Emergencia, Arte Cubano en el Exilio, Centro Cultural El Palillero,
Ayuntamiento de Cádiz, Cádiz, Spain
2002 Contemporary Cuban Art in New York, Bill Maynes Gallery, Chelsea, New York
Reactions, Exit Gallery, New York
Snapshot, Aldrich Museum of Contemporary Art, Ridgefield, Connecticut
Sobre Papel: Obras de Artistas Hispanoamericanos, Agustín Gainza Fine Cuban Art & Latinoamerican Art, Miami. Fla.
2001Proyecto Emigrantes, Centro de Arte Moderno, Quilmes, Argentina
Snapshot, Contemporary Museum of Baltimore, Baltimore
1999 Prints by Latin American Masters, from the Ulla and Greger Olsson
Art Collection, Brussels, Château d’Argenteuil, Waterloo, Belgium
1998 Latin American Artist at the End of the Century, Latino Arts Festival’98
Queens Theater in the Park, Queens New York
Hispanic Arts Fight A. I. D.S. American Red Cross, Bergen Crossroads Chapter Englewood, New Jersey
The Prasad Project, Manhattan Center Studio, New York
Breaking Barriers; Selection from the Museum of Art’s Permanent Contemporary Cuban Collection, Tampa Museum of Art, Tampa, Fla., SNITE Museum of Notre Dame University, Indiana., Latin American Art Museum, Long Beach, California
1997 Crossing Border: ContemporaryArt by Latin American Women, College of New Rochelle, Castle Gallery, New Rochelle, New York
Fourth Annual Retablo and Ex-Voto Exhibition & Auction, Mexic-Arte Museum, Austin, Texas
Talk Back! The Community responds to the Permanent Collection, The Bronx Museum of The Arts, and Bronx, New York
Braking Barriers: Selection from the Museum of Art’s Contemporary Cuban Collection, Museum of Art, Fort Lauderdale. FL (traveling exhibition)
1996 Latin American Book Arts, Mexic-Arte Museum, Austin, Texas
Nine Cuban American Artists, Kingsborough Community College, Art Gallery, Brooklyn, New York
Third Annual Retable and Ex-Voto Exhibition, Mexic-Arte Museum, Austin, Texas
1995 Latin American Book Arts, Center for Book Arts, New York, (traveling exhibit)
The Papertrail Gallery, National Library of Canada, Otawa, Canada
The Papertrail Gallery, Center for Book Arts, Minnesota
Latin American Prints, Robert Blackburn Workshop Collection, Museum of Modern Art, Santo Domingo, Dominican Republic
1994 Table of Contents/ Book as Art, Ceres Gallery, New York
Symbols and Revelations, a Latin American Exhibit, Henry Street Settlement, New York.
Gathering Medicine Exhibition, Art in General, New York
Pequeño Formato Latinoamericano, Luigi Marrozini Gallery, San Juan, Puerto Rico
1993 Miami Art-93, Convention Center, Gary Nader Gallery, Miami. Florida
Combined Motions: Music and Art, Adriana Landon Gallery, New York
Books-Three Approaches, Sotavento Gallery, Caracas, Venezuela
Beyond the Boundaries, Women’s Caucus for Art, Insights Gallery, Seattle
Books- Three Approaches, Marta Morante Gallery, New York
Art Faculty Selection, Housatonic Museum of Art, Bridgeport, Connecticut
1992 Books, Books and Books, Humphrey Gallery, New York
First Annual Masters Miniature, Latin American Painters, Gary Nader Gallery, Miami, Florida
Revealing the self: Portrait by Twelve Contemporary Artist, Paine Webber Gallery, New York
X Bienal de San Juan y del Grabado Latinoamericano y del Caribe, San Juan, Puerto Rico
Anniversary Celebration Exhibition, Gary Nader Gallery, Miami, Florida
Latino American Artist from New York, Javier Lumbreras Gallery, Miami,
Five Century after the Collision: Five Contemporary Artist Vision, The Art Gallery, Brooklyn College, New York.
The Impact of two Worlds, Art space, New Haven, Connecticut
1492-1992 Un Nouveau Regard Sur les Caraibes, Espace Carpeaux, Paris, France
1492-1992 Una nueva mirada al Caribe, Instituto de Cultura Puertorriqueña, San Juan,
Puerto Rico.
1492-1992 Una nueva mirada al Caribe Casa de Francia, Santo Domingo, Dominicana Republic
II El Arte de Dar, Subasta de Arte Latinoamericanos, UNIANDINOS, Programa La Casa
Bogota, Colombia.
1991 African American and Latino American from USA, Bellas Artes Museum, Santiago de Chile, Chile
Inaugural Exhibition, Marta Morante Gallery, NET York
Group Show, Strangalleriet, Sodertalje, Sweden
Contemporary Caribbean Artists, Creative Arts Workshop, New Heaven, Connecticut
1990 Lines of Vision: Drawing by Contemporary Women, Museo de Arte Contemporaneo, Sofia Imber, Caracas, Venezuela
Lines of Vision: Drawing by Contemporary Women, Museo de Bellas Artes, Mexico, D. F.,
Awakening / Despertar, Discovery Museum, Bridgeport, Connecticut
In Praise of the Americas. Salena Gallery, Long Island University. Brooklyn, New York
Sculpture of the Americas into the Nineties, Museum of Modern Art of Latin America, Washington, DC.
China, June 4th, 1989, Asian American Art Center, Institute of Contemporary Art, P.S. 1. Museum of Long Island City, New York
Women History Month, Queens Borough Library, Queens, New York
Pan American Perspectives. Pan American Society of Connecticut, The West Hartford League Art Gallery, Connecticut
1989 China, June 4th, 1989, Asian American Center at Blum Helman Warehouse Gallery, New
York
Earth, Wind & Fire, Straus Gallery, New York
Lines of Vision: 100 Drawings by Contemporary Women,
Hillwood Art Gallery, Long Island University, Bronsville. Blum Hellman Gallery, Soho, New York; traveled to Clara M. Eagle Gallery, Murray State University, Murray, KY; Grand Rapids Art Museum, Michigan; University Art Gallery, University of North Texas, Denton, Texas; Richard F. Beush Gallery, St Laurence University, Cantoa, NY; The University of Oklahoma, Museum of Art, Norman, OK; Albany Museum of Art, GA; traveled internationally to Museo de Bellas Artes, México City, México, to Museo de Arte Contempóraneo, Sofia Imber Caracas, Venezuela, Museo de Arte Moderno, Rio de Janeiro, Brazil
1988 International Biennial of Prints, Museum of Fine Arts, Bharat Bhavan, Bhopal, India
Latin American Graphic Arts Biennal, Museum of Contemporary Hispanic Art,
New York
Paper Vision II, Housatonic Museum, Bridgeport, Connecticut
Art of the Americas, International Gallery, Washington DC.
1987Imaginations and Inventions, Works on paper by four Latin American Queens, New York
Contemporaneous, Bohio Gallery, New York
Exposición – Subasta, Museo Cubano de Arte y Cultura, Miami. Fl
1986Sacred Secret, Todd Capp Gallery, New York
Hispanic Roots, Mills Pond House Museum, St. James, New York
Two of the New, Museo del Barrio, New York
1985Trends, Museum of Contemporary Hispanic Art, New York
Inaugural Exhibit, Museum of Contemporary Hispanic Art, New York
1982Art Escandalar, Meeting Point Gallery, Miami, Florida
1979 New York Through Latin Eyes, Queens College, Art Gallery, Queens, New York
Group Installation: 7 Artists, Cayman Gallery, New York
1977 The 7th Annual Exhibition, The Bronx Museum of the Arts, Bronx, New York
1976Iman; New York, The Center for Inter-American Relation, New York
Latin American Exhibition, Spanish-American Painters & Sculptures, Manufacture Hanover Bank, New York
Iman; New York, Instituto de Cultura Puertorriqueña, Museo de Arte, San Juan, Puerto Rico
1975 International Panamerican Exhibition, Museum of Science, Chicago
First & Second Cuban Festival, Cuban Cultural Center, Cathedral of ST. John the Divine, New York
1974Group Show, Cisneros Gallery, New York
1972Inaugural Exhibit, Mecenas Gallery, Madrid, Spain
Premio de Pintura, Centro Cultural Amigos de Segovia, Segovia, Spain
1971Group Exhibit Sala de Arte Gallery. Madrid, Spain
Salón de Pinturas, Casa de Malaga, Madrid, Spain
1964Salón Nacional de Pintura y Escultura, Homenaje a Fidelio Ponce de León, Palacio de Bellas Artes, Habana, Cuba
Public Art Commissions
1972 Homage to the Farmer, Iron Sculpture at Pamplona Airport Pamplona, Spain
1967 Design and Construction of Ceramic Lamps with Wood, commission by Instituto Nacional de la Industria Turistica, Habana, Cuba
1966 The Umbrella, mural in wood, metal, and sand, at Loipa Restaurante, commission by Instituto Nacional de la Industria Turistica, Habana, Cuba
Ephemeral Images, mural: oil on canvas, at Andes Restaurante, Habana, Cuba
1965 Heritage and Roots, mural in wood at Habana Airport, commission by Instituto Nacional de la Industria Turistica, Habana, Cuba
1964 The Mystic Foliage, mural: oil and wood, at Cienfuegos Hotel, Cienfuegos, commission by Instituto Nacional de la Industria Turistica, Habana, Cuba
BIBLIOGRAPHY
Catalogues and Brochures
Gerardo Zavarce, “Sharply into a Light Space”, catalog essay, (Syracuse, Point of Contact Gallery, February 2014)
Omar Pascual Castillo “Tactiles” in Every Times is Now, brochure essay (Miami: Signature Gallery
February 2008)
Omar Pascual Castillo, “ Gladys Triana”, brochure assay at Terapia de Grupo, (Madrid: Fernando Pradilla Gallery, February 2008)
Ricardo Viera, Layers: Collecting Cuban-American Art, from Lehigh University Art Gallery Collection, from on an interview by Lynnette Bosch in the catalogue essay, (University of Buffalo, The State University of New York, 2006)
Julia Herzberg, “Every Time, is Now”, in Every Time is Now, catalogue essay, ( Buenos Aires: Centro Cultural Recoleta, 2003)
Ricardo Viera, “Gladys Triana’s Photography, in Every time is now”, catalogue essay, ( Buenos Aires: Centro Cultural Recoleta, 2003)
Carlota Caulfield, “Hands versed in Objects, in Every Time is now”, catalogue essay and poems, ( Buenos Aires: Centro Cultural Recoleta, 2003)
Luis Carlos Emerich, “Confluencias”, introducción del catálogo, (Cádiz: Centro Cultural El Palillero, 2003) España
Virginia Pérez-Ratton, “landing in limerick”, “Ev+a 2003, on the border of each other”, in a exhibition of visual art, (Limerick, City Gallery of Art, Carnegie Building, Perry Square”, Limerick)
Eduardo Marceles, “Latin American Artist at the End of the Century”, Latino Arts Festival’1998, brochure essay (Queens: Theater in the Park, 1998) New York
Zoé Valdés, “Gladys Triana: comme le frolement furtif du flamboyan,” in Jeux de Memoire, brochure essay (Paris: Espace Nesle 1997). France
Yásmin Ramirez, “La Rueda del Tiempo y su Destino,” in Gladys Triana, Acuarela, Pinturas y Libros, brochure essay (Lima: Galeria Trapecio, 1997). Peru
Ana Tiscornia, “A Proposito de Libros,” in Gladys Triana, Acuarelas, Pinturas y Libros, brochure essay (Lima: Galeria Trapecio,1997).
Jorge H. Santis, “Breaking Barriers,” Selection from the Museum of Art’s Permanent Cuban Collection, catalogue introduction, (Fort Lauderdale: Museum of Art, 1997)
Carol Damian, “Breaking Barriers,” Selection from the Museum of Art’s Permanent Cuban Collection, catalogue essay, (Fort Lauderdale: Museum of Art, 1997).
Greger Olsson, “Contemporary Latin American Art,” from The Ulla and Greger Olsson Contemporary Latin American Art Collection, catalogue introduction (Ronneby: Konstcentrum I, 1997).
Marisol Nieves, “Exile and Reconstruction of Identity in the Art of Gladys Triana,” in The Path To The Memory, The Island, brochure essay (Bronx: The Bronx Museum of the Arts, 1995).
Brian Hannon, “Latin American Book Arts”, catalogue introduction (New York: Center for the Book Arts, 1995).
Luigi Marrozzini “Pequeño Formato Latinoamericano”, catalogue, Imágenes a la velocidad de la luz, esasy (San Juan, Puerto Rico: Luigi Marrozzini Galeria, 1994).
Marisol Nieves, “Revelation and Recovery in the Art of Gladys Triana,” in Books: Three Approaches, brochure essay (New York: Marta Mordant Gallery, 1993).
Lee Scarf, “The Awakening / El Despertar”, catalogue introduction (Connecticut: The Discovery Museum, 1991).
Marianne de Tolentino, “A Reading of Gladys Triana Painting,” in Gladys Triana, Dibujos, Pinturas e Instalación , catalogue essay (Santo Domingo: Museo de Arte Moderno, 1991)
Nemesio Antunez, “17 Artistas Latino y Afroamericanos en USA,” catalogue introduction (Santiago de Chile: Museo Nacional de Bellas Artes, 1991)
John Stringer, “Gladys Triana Art, in Gladys Triana, Movement- Fragmentation”, catalogue essay (New York: Museum of Contemporary of Hispanic Art, 1990)
Nilda Peraza, “Gladys Triana, Movement-Transformation”, catalogue introduction ( New York: Museum of Contemporary Hispanic Art, 1990).
Nicole Marwell, “The Process of Control, in Gladys Triana, Movement-Transformation”, catalogue essay (New York: Museum Contemporary of Hispanic Art, 1990).
Giulio V. Blanc, Gladys Triana /Reynaldo Arenas, catalogue essay (Miami: Cuban Museum of Art and Culture, 1988)
John Stringer, “Gladys Triana, Collage,” in Art of the Americas, catalogue essay (Washington: International Gallery, International Monetary Foundation, 1987).
John Stringer, “Imaginations and Inventions,” catalogue essay (Queens: Flushing Gallery, Flushing Council of Culture on the Arts, 1987).
Daniel Serra Badué, “Gladys Triana”, catalogue essay (New York: Sarduy Gallery March 11, 1974).
Eduardo Abela, “Nuevas Pinturas, in Gladys Triana”, opening essay (Habana: Lyceum Gallery, February 27 1962).
Magazines
Jose Antonio Navarette, Gladys Triana Crypticos Escenarios. Photography and Video by Gladys Triana, arte aldia International (Printed in Argentina No 139,) Content Section, page 56-61
Adriana Herrera, “Gladys Triana”, arte aldia, International magazine of Contemporary Latin American (Printed in Argentina No 123, 2008), Reviews Section, page 116
Julia P. Herzberg, “Gladys Triana” Art Nexus, No 55, Volumen 3 (Columbia: Dec-Feb 2004-5) pp.150-151
Lourdes Gil, “Circularidades y retos de la Patria sonora” Cultura, El Criticón, Cuba Encuentro, (Encuentro en la Red: 20 /8/ 2004)
Gisela Baranda, “La Isla Rota”, Revista Hispano Cubana, Cultura y Arte No 17, ( Madrid: Agosto, 2004)
Francine Birbragher, “Breaking Barriers,” Selection from the Fort Lauderdale Museum of Art’s Permanent Contemporary Cuban Collection, “Art Nexus, No 28 (Columbia: April -June, 1998) pp. 128-129
Christine Frérot, “Gladys Triana, Espace Nesle.” Art Nexus, No 25, (Colombia: July-Sept.1997). pp. 131-132
Mónica Amor, “Gladys Triana.” Art Nexus, No 18, (Colombia: Oct.-Dec. 1995). p. 127
Victor Zamudio Taylor,“Latin American Book Arts,” Art Nexus, No 16 (Columbia: April-June, 1995). pp. 129 – 130
Edward J. Sullivan, “The Latinoamerican Explosion.” Art News, (New York: Summer, 1993). p.134
María del Carmen Ichaso, “ Gladys Triana,” Vanidades, (Miami: 1995) p. 18
Gale Jackson, “Gathering Medicine” Art in General Manual, (New York: 1993-1994) pp. 47-107
Grazziana La Roca,“Ricardo Benaim, Claudia Bielinsky, Gladys Triana, “Art Nexus, No 6 (Columbia: July-Sept. 1993).
Latina, Heresies a feminist publication on Art, (New York: Heresies No 27, 1993). p. 58
Carol Damian,“Artistas Latinoamericanos,” Art Nexus No 4 (Columbia: August, 1992) pp. 151 – 152
Rosa Francia Esquéa, “Pintora Cubana Inaugura Exposiciones” Temas, Hoy, (Sto Domingo: 11-7- 91) p. 2B
Bélgica Rodriguez, “Gladys Triana, Movement-Fragmentation”, Arte en Colombia, No 44 (Colombia: July- Sept.,1990) p. 120
Jaime Revilla, “Gladys Triana en New York”, Revista Temas, (New York: April 13, 1974)
Venáncio Sanchez Marín, “Crónica de Madrid”, Revista Goya, No 106 (Madrid: February- March, 1972) p. 266
Newspapers
Library gets ‘meditative and contemplative’. New Canaan Advertiser, (New Canaan:
Thursday 21, 2013).
Adriana Herrera, “The Nightclub: Observatorio sobre el arte liquido de hoy”, El Nuevo Herald,
(Miami: Sabado 2, 2012) Seccion Artes y Letras
Adriana Herrera, ”Gladys Triana, Alfabetos para la Tascendencia”, El Nuevo Herald,
(Miami: Domingo, Marzo 11, 2012) Sección: Artes y Letras.
Olga Connor, “Gladys Triana: La Observación, Una converzación con la artista” (segunda parte) El Nuevo Herald (Miami: Domingo, Octubre 10, 2010) Sección: Galería, Artes y Letras
Olga Connor, “Gladys Triana: La Observación, Una converzación con la artista” (primera parte) El Nuevo Herald (Miami: Domingo, Octubre 3, 2010) Sección: Galería, Artes y Letras
Adriana Herrera, “Gladys Triana, ganadora de la Beca CINTAS 2009”/ El Nuevo Herald,
(Miami: Domingo, Julio 19, 2009) Sección: Artes y Letras
Fabiola Santiago, “Miami-Dade artist amongs Cintas winners”, The Miami Herald, (Miami; Sunday, 5-24-2009) Seccion: The Arts
Olga Connor, “LA FUNDACION CINTAS PREMIA A ARTISTAS Y COMPOSITORES”, El Nuevo Herald
(Miami: Martes, Mayo 26, 2009) Sección: Galeria.
Olga Connor, “Proyecciones de Luz en la obra de Gladys Triana”, Especial/El Nuevo Herald, (Miami: Sabado, 12/1/08) Sección: Espacios, p.6
Diana Alvarez Amell, Refracciones de la luz distante, “ Cuban American in Focus:Photographs from Lehigh University Arts Galleries” Linden Lane Magazine, Summer, Autumn, Winter/2007
Fort Worth, Texas) p. 26
Claudia Bello, “Inauguran la exposición de Gladys Triana” AM (Celaya: Miércoles 13/8/2004) Sección C, p. 2
Diana Mercado, “Gladys Triana, inaugura su gran obra “Cada vez, es ahora,” y “Confluencias”
El Sol del Bajio, (Celaya, Gto: Lunes, 18 /8/ 2004) p. 4 C
Redacción-Cultura, “Gladys Triana explora el Movimiento y la Fragmentación” AM. (Queretaro, Lunes, 9/6/2004) p. 2
Geoff Gehman, “Visions, freshens outlook for the weary and wary”, Gladys Triana: Cada Vez es Ahora /Each time is now, Photography (The Morning Call: 3/19/2004).
Madeleine Cámara, “Emilio Surí: Poesía en Azul”, The Miami Herald, (Miami: Sun, Jan. 04, 2004)
Luis De la Paz, “Haz de Incitaciones, poetas y artistas cubanos hablan” Suplemento del Diario de las Ameritas (Miami: viernes 8/8/ 03) Sección La Revista del Diario, p.13
Centro Cultural Recoleta, “Gladys Triana, Instalaciones y Fotografias”, (Nov- Dic/2003), Artes Visuales, Secretaria de Cultura, Buenos Aires.
Fabiola Santiago, “Spanish language lineup ranges from erotic poetry to singing author”
The Miami Herald, (Miami: 11/8/03)
Monika Mesa, “The Broken Island”, Florida Center for Literary Arts and Books & Books (Miami: Dade College, News Release, Junio del 2003)
Olga O’ Conor, “La Isla Rota”, Miami Herald, Cultura, (Miami: miércoles, 30 de junio del 2003)
Jesús Collantes, “II Encuentro Con Cuba En La Distancia”, Diario de Cádiz, Cultura ( Cádiz: martes 20 de Mayo 2003) p. 43
Elida Román, “Exilio de la pintora cubana Gladys Triana aparece en Los Juegos de la Memoria” El Comercio, Cultural, De Artes Plásticas (Lima: 15 de Sept., 1997).
Denise Guevara, “Los Juegos de la Memoria.” Diario Gestión, Cultural/Sección B (Lima: 4 de Sept., 1997)
Consuelo Vargas, “Los Juegos de la Memoria,” El Comercio, Cultural (Lima: 8 de Sept. de 1997)
Alan King, “Fine Paper a sensual delight to hand and eye, ”The Otawa Citizen (Otawa: May 21-95) B, p. 8
Rodolfo A. Windhausen, “Arte Latinoamericano: Mitos y Leyendas,” La Gaceta, Tucuman (Argentina: April-2-1995) pp. 4-5
Adriana Collado, “Books, Three Approaches,” Noticias de Arte. (New York, Mayo 1993).
“De Nueva York a la Mercedes! Algo más que Libros!” Semanario Chacao (Caracas: Junio 1993) p. 9
“Libros: 3 Aproximaciones, 3 artistas Latinoamericanos” El Nacional (Caracas: Junio 3, 1993)
Gustavo Valdés, “El Color de la Palabra: 32 Artistas Cubanos”. Interview, Stet Magazine, (New York:Vol 1 No 2, Special Edition. Winter,1992).
Abil Peralta, “Anotaciones estéticas para una definición de la pintura de Gladys Triana,”
Aquí La Noticia, Suplemento Cultural No.904 (Santo Domingo: 20 de Junio, 1992) pp. 4-5
Rodolfo A Windhausen, “Gladys Triana y su Pintura,” El Nuevo Herald, Art Section (Miami: 2-7-1992) pp. 1-3D
Abil Peralta, “Crónica de New York,” Correo de Arte Hispano, No 5 (Santo Domingo: 1992).
Vivian Gaynor, “An exhibition in New Heaven celebrates Caribbean Diversity”, New York Times (Connecticut: Oct. 6,1991). p. 22
Marianne de Tolentino, “Las Memorias de Gladys Triana,”Artes Visuales, El Listin Diario (Santo Domingo: 10 de Noviembre de 1991).
Giovanni Ferruall, “Pintora Cubana inaugurará exposiciones en República Dominicana” El Nacional, Qué Pasa (Santo Domingo: 6 de Noviembre de 1991).
Marianne de Tolentino, “El 6 y el 7 dos esperadas exposiciones de la pintora Gladys Triana” Listin Diario, Arte Latinoamericano (Santo Domingo: 6 de Nov. 1991). p. 12
“Gladys Triana Expondrá” Listin Diario, Sociales (Santo Domingo: 6 de Nov. de 1991) p. 8
Waldemar Sommer,“Venidos de USA,” El Mercurio (Santiago de Chile: 12- 17-1991) p. E7
“Exposiciones Paralelas” La Tercera (Santiago de Chile: 23 de Nov. de 1991)
Samuel B Cherson, “La escultura de las Americas a final de siglo.” El Nuevo Día Arte (Puerto Rico: 2-3-1991). p. 12 – 13
John Daxland, “All Torn Up,” Daily News (New York: 1-12-1990)
Henry Ficher, Gladys Triana reaparece con “Movimiento y Fragmentación” Noticias del Mundo, Panorama Cultural (New York: 8 de Enero de 1990). p. 6B
“Celebración de la Herencia Hispana en la Universidad de Long Island” Noticias del Mundo, Sección Educacional (New York: 16 de Oct. de 1990). p. 11
Armando Alvarez Bravo, “Vitalidad, Dinámica y Forma en el Museo Cubano”, El Nuevo Herald, Galería ( Miami: March 13, 1988). p. 9C
Helen Cohen, “A Bonus at the Cuban Museum”, The Miami Herald (Miami: March 18, 1988).
Meredith Hall, “Arts from Ports Far and Near, Gladys Triana.” Art Speaker Magazine, (New York: Vol. IX, No 4. (October16, 1987). Cover
Samuel Román Delgado, “Exposición Colectiva en el Museo del Barrio”, Noticias del Mundo, Panorama Cultural (New York: 7 de Julio, 1986). p. 18
Giulio V. Blanc, “Cuba’s Brain Drain: Exile Artist in New York, ”Unveiling (New York: Sept./Dec., 1985). pp. 14 -15
Giulio V. Blanc, “Pintores Prohibidos”, Unveiling, ( New York: January 1983)
Paul Piket, “Latin Art Exhibit.” Queens College Gallery, Phoenix (New York: May 22, 1979) p. 2
Dora Rubiano “Colectiva de Artistas en la Galeria Cayman”Diario La Prensa (New York. Martes 16 de Enero, 1979) p. 25
Aida Gonzalez Harvilán: “Gladys Triana: Pintora que Pinta la Mujer”Impacto (New York: 5- 31-1977)
Dorothy Hall, “Art and Artists”, Park East, Suplement of Art (New York: January 21, 1977) p. 5
Pedro Monge, “Presencia Latino-Americana en New York”, Vanguardia (New York: 11 -7, 1976). p. 21
Mario Peña, “La Pintura de Gladys Triana”, El Tiempo Hispano ( New York: 3 30, 1975) p. 14
José Corrales, “Gladys Triana Pinta un horror extraño”, El Tiempo Universal (New York: 3- 30, 1974).
Nuevas Exposiciones, Galerías, ABC. Newspaper (Madrid: December 2,1971).
Illustrations
Maricel Mayor Marsan. Trilogía de Teatro Breve, Colección Rumbos Terencianos, (Miami: Ediciones Baquiana, Febrero 2012) (Book Cover)
Canaria, Cuba y Francia los exilios literarios de Nivaria Tejera, (Torremozas, Madrid:
España, 2012) (Book Cover)
Jose Triana, Poesia Completa, Antologia Personal (Valencia: Aduana Vieja, Editorial, 2011)
(II Book Cover)
Felipe Lazaro, Indómitas al Sol, Cinco Poestas Cubanas en New York, Antologia Critica (Madrid:
Editorial Betania, 2011) (Book Cover)
ARS Magazine (Paris: Arts Atelier, Lunaticas Productions by Zoe Valdez, (Invierno 2010) Illustrations pag.53-55
Madeline Camara, Matria, Ensayos, (Editorial: Palgrave Macmillan, 2008) (Book Cover)
Linden Lane Magazine, (Fort Worth, Texas: Primavera/Verano 2008) (Illustrations. pag. 15-24)
Julio Cintado, Cuaderno de un viaje sin retorno, El duende de la duda, Poemas (Madrid: Nos y Otros Editores, 2003) (Book Cover)
Emilio Surí Quesada, Canción del Suicida, Poemas (Madrid: Editorial Betania, 2003) (Book Cover)
Jesus J. Barquet y Maricel Mayor Marzán, Haz de Incitaciones: Poetas y Artistas Cubanos Hablan, (Miami: Ediciones Baquiana, 2003) (Book Cover)
Carlota Caulfield, The Book of Giulio Camillo (maqueta para un teatro de la memoria) (California: InteliBook Publishers, Eboli Poetry, 2003) (Book Cover & Illustrations)
Iraida Iturralde: Isla Rota, Poemas, (Madrid: Verbum Editorial, 2002) (Book Cover & Illustrations)
Linden Lane Magazine, (Fort Worth, Texas: June/December 2001) (Illustrations. pag. 26-27)
José Triana, Teatro en un Tiempo (New York: Ollantay Editorial, 1999) (Book Cover)
Linden Lane Magazine, (Fort Worth, Texas: March – Sprint 1998) (Illustrations pag. 17)
Felipe Lázaro, Cuban Women Poets in New York “A Brief Anthology” (Madrid: Editorial Betania, 1991) (Book Cover).
Linden Lane Magazine, (New Jersey: Princeton Edition, December 1991) (Magazine Cover).
José Triana, Teatro, (Madrid: Verbum Editorial, 1991) (Book Cover).
Linden Lane Magazine, (New Jersey: Princenton Edition, Summer, 1990). Illustration.
Magaly Alabau, Ras, Poem Book. (New York: Medusa Editions, 1987) (Book Cover).
Mariel Art Magazine, (New York: Mariel Edition, 1987) (Magazine Cover).
Magaly Alabau, Electra, Clitemnestra, (Santiago de Chile: El Maiten Edition, 1986) (Book Cover)
José Martí, El presidio politico en Cuba, (New York: Mariel Edition, Winter 1985).
Illustration.
Alberto Baeza Flores, Carta a Mariel, (New York: Mariel Edition, Winter 1985). Illustration.
Isel Rivero, Medea, (New York: Mariel Edition, Winter 1985). Illustration.
Severo Sarduy, Unidad de Lugar, Linden Lane Magazine. (New Jersey: Princenton Ed., July 1982) Illustration.
Natalio Galán, San Pascual el bailón, Linden Lane Magazine (New Jersey: Princeton Editions.
Sept-Octuber-1982) Illustration.
Marta Traba, Habla, Linden Lane Magazine (New Jersey: Princeton Ed., July-September 1982). Illustration
José Triana, Por qué escribo teatro, (New York: Escandalar, Revista de Literatura, June 1982) Illustration.
Encyclopedia & Books
Patricio E Palacios, “Entrevista a Gladys Triana”, Revista Literaria, (Miami, Ediciones Baquiana, Oct-Diciembre, 2010)
Gladys Triana, “La Sorpresa de la Palabra y la Línea”, Haz de Incitaciones: Poetas y Artistas Cubanos Hablan, Edición de Jesus J. Barquet y Maricel Mayor Marzán (Miami: Ediciones Baquiana, 2003) pp. 54-62
Gladys Triana, “Movimiento y Fragmentación: testimonio de una artista exilada” en Creación y Exilio, Memorias del I Encuentro International Con Cuba en la Distancia, Selección y Prólogo, Fabio Murrieta, (Madrid: Editorial Hispano Cubana, 2002) pp. 268-272
Memoria, Cuban Art of the 20th Century, California/International Art Foundation (Los Angeles: 2002) p. 349, 431.
Díana Alvarez, “La huella y su imagen. La contemporaneidad y la memoria en las artes plásticas cubanas en los Estados Unidos”.1902-2002 Centenario de la República de Cuba, (Miami: Ediciones Universal, 2002)
Robin Kahn, “Time Capsule”, A Concise Encyclopedia by Women Artists (New York, 1995) pp. 340-341
Judith Colliscan Van Wargner, Lines of Vision, Drawings by Contemporary Women (New York: Hudson Hill Edition, 1989) p.142
José Gómez Sicre, Art of Cuba in Exile, Gladys Triana, essay (Miami: M.C. Printer Edition, 1987) pp.165-166
Who’s, Who in Art. International Biography Dictionary, (London: British Edition, 1982).
Enciclopedia de Cuba, Art Section (Miami: 1975).
Edmundo Desnoes, Pintores Cubanos (Habana: Ediciones R, 1962) p.208
Art Fairs:
2013 SCOPE, PSH Project, Paschall + Salar + Hardcore. Skylight Moyihan Station, NYC Main Post Office 312 West 33rd New York 10001 (Booth F 07)
Foto Lima, PSH Project, Paschall + Salar + Hardcore. Augusto 2013, Lima, Peru.
Art Fair Hong Kong, PSH Project, Paschall + Salar + Hardcore. May 24 – 26 2013
(Boot A 41)
2011 Critical strategies from the post-utopian Cuban Art (Cuba/United States)
Houston Fine Art University The George Brown Convention Center, Houston
Sept 16 to 18- at hardcore contemporary art space, (Booth 12)
2010 Pinta new york, November 11-14 at hardcore art contemporary space, (Stand B 16)
(Special Project).
Pinta 10, Londres, Earls Court Exhibition Center, Warwick road, June 3- 6 at hardcore art contemporary space, (Booth 09).
SCOPE New York, Lincoln Center 62 Street, Between 9 & 10 Ave, March 3-7, at Hardcore
Art Contemporary Space. (Booth B11)
2009 Pinta 09, Latina Woman are empowered by the checkbook, Metropolitan Building in New York Nov 19-22, at Hardcore Art Contemporary Space. (Booth M19)
SCOPE, Art Basel, Basel, Switzerland, June 8-14, at Hardcore Art Contemporary Space
(Booth C-198)
FIA- CARACAS, Feria Iberoamericana de Arte, Hotel Tamanaco, at Hardcore Art Contemporary Space, Caracas, Venezuela
SCOPE New York, Lincoln Center 62 Street, Between 9 & 10 Ave, March 4-8, at Hardcore Art Contemporary Space. (Booth C11)
Arte Americas ,The Latin American Art Fair, Convention Center, Miami, March 27-30 at Hardcore Art Contemporary Space, (Booth No 12)
2008 Photo Miami, NW 31st Street and North Miami Avenue, Dec 3 – 9, at Hardcore Art Contemporary Space.( Booth 114)
Pinta 08, Metropolitan Building in New York ,Nov 12-16, at Hardcore Art Contemporary Space, (Booth 20.)
SCOPE, Art Basel, Basel, Switzerland, June 4-9, Hardcore Art Contemporary Space,
(Booth No 205)
FIA-CARACAS. Feria Iberoamericana de Arte, Hotel Tamanaco, at Hardcore Art Contemporary Space, Caracas, Venezuela
Arte Americas ,The Latin American Art Fair, Convention Center, Miami, March 28-31 at
Signature Gallery,
CIRCA 08, Puerto Rico, Convention Center, April 11- 14, at Hardcore Art Contemporary Space (Booth D4)
2007 Photo Miami, NW 31st Street and North Miami Avenue, at Hardcore Art Contemporary Space. (Booth No 113)
Pinta 07, New York. Metropolitan Building, at Hardcore Art Contemporary Space, Nov 13-16, (Booth no 33)
Buenos Aires Photo 2007, at Hardcore Art Contemporary Space, Miami, Buenos Aires, Argentina
1992 Miami Art-92, Convention Center, Gary Nader Gallery, Miami, Florida
Educational Projects
1987-1999 Created and Implemented, “Children Expressions Mural Program” at the Community School Board District #32.
1990-1999 Created and Implemented, “BACA, Bilingual Art Program” at the Community
School District #32
Film credits background
“The Lie”, Roberto Fandiño, film director. Included the painting Illumination in the credits background. Madrid, Spain.
Awards & Fellowships
2009-10 The Oscar B. Cintas Foundation. International Institute of Education.
From the Emilio Sanchez Foundation, Special Award. New York.
2003 II Encuentro Con Cuba En La Distancia, Reconocimiento por su exposición “Confluencias”, Ayuntamiento de Cádiz, Escudo de la Ciudad de Cádiz.
1993-94 The Oscar B. Cintas Foundation. International Institute of Education.
New York
1990 The Queens Borough President of the City of New York, Outstanding Achievement in Visual Art. Queens, New York
Masters and Apprentices Exhibit, Special Mention. The New York City
Board of Education. Brooklyn, New York.
1975 International Panamerican Exhibition, Honorary Mention, Museum of Science and Industry, Chicago, Illinois.
1974 National Clairol Loving Care Art Program, Educational Scholarship, Washington.
- Ateneo de Marianao, Art Competition: 3rd Prize. Havana, Cuba.
Jury/ Panel Member
2013 A public panel discussion about Eiriz’s significant career featuring curator Michelle Weinberg, arts writer Janet Batet and participating artists Nereida García Ferraz and Gladys Triana is scheduled for Tuesday, October 1, 2013 at 7 p.m. at
Miami Dade College’s (MDC) Museum of Art + Design. Miami, FL.
2011 Gladys Triana, The Observer video, Created and Director, presentation at the Americas Society. Moderators: Alejandro Anreus, curator, art critic, professor of Art History and Francisco Soto, Literature professor; American Society, New York
Panel Member, Woman Embodied: Cuban Artist Across the Diaspora, in Memorial
of Ana Mendieta at Sangre de Cristo Art Center, Pueblo, Colorado
Panel Member, XII Anuario de la Revista Literaria Baquiana at Baruch College,
New York
2007 Panel Member, Cuban American in Focus a conference on Photography, Kean University, Auditorium, CAS, Union City, New Jersey
2004 Panel Member, Diana Alvarez, Lecture Presentation, Gladys Triana her Journey, reviewing with the artist, Columbia University, Department of Hispanic Literature by Centro Cultural Cubano, New York
2003 Panel Member, Haz de Incitaciones: poetas y pintores, Miami Book Fair, Internacional, Miami Dade College, Wolfson Campus, Downtown, Miami, FL. 4/11/2003
Panel Member, Haz de Incitaciones: poetas y pintores, I, “II Encuentro Internacional sobre Creación y Exilio, Con Cuba en la Distancia” Facultad de Filosofia y Letras, Universidad de Cádiz, España, 20/5/03
2001 Panel Member, Movimiento y Fragmentation: testimonio de una artista exilada, “I Encuentro Internacional sobre Creación y Exilio, Con Cuba el Distancia” Facultad de Filosofia y Letras, Universidad de Cádiz, España, 7/11/01
2000 Panel Member, Alter Cuba: Cuban Contemporary Artists, at American Society, New York
1999 Panel Member, First Latino American Conference, at Ollantay Gallery, Queens,
New York
1979 Member of the Screening Committee, AHA/CETA Artist Program, NY
PRIVATE & PUBLIC COLLECTIONS
ASU-Art, Museum of Fine Art at Arizona State University, AZ.
Museo del Barrio, New York, NY
Museum of Arts, Fort Lauderdale, Fla.
Museo de Bellas Artes, Habana, Cuba.
Museo de Bellas Artes, Santiago de Chile, Chile.
Museo de la Ciudad, Querétaro, México
The Bronx Museum of the Arts, Bronx, New York.
Museo de Arte Moderno, Santo Domingo, República Dominicana
Museo Bacardi at the Universidad de Miami, Miami, Florida
Housatonic Museum, Bridgeport, Connecticut.
Centro Cultural Tijuana, CECUT, Tijuana, México
Instituto de Cultura Puertorriqueña, San Juan, Puerto Rico.
Maria Codina Collection, Chicago
The New York Public Library, The Print, Photography and Spencer Collections, New York
Luag Permanent Collection, Lehigh University, Bethlehem, PA
Luag Latino American Artist/Photographers Collection, Lehigh University.
Bethlehem, PA
Queens College Collection, Queens, New York.
Asian American Art Center, New York.
Arnold Ashkenazy Collection, Los Angeles. CA
The Robert Blackburn Printmaking Workshop Collection, at the Library of the
Congress, Washington.
Augusta Barreda Collection, Lima, Peru.
Georgina Codina Collection, Miami, Fla.
Fundación Hispano Cubana Collection, Madrid, España
Fatima El Alami Collection, Paris, France.
Ing. Joseph R. Gil-Berlinches, P.E., New York
Luis Gutierrez Negrón Collection, San Juan, Puerto Rico
Alan Hamburger Collection, Brussels,
Jack Kubilium Collection, New York.
Romeo Montalvo Jr Collection, Austin, Texas
Francisco Mestre Collection, Miami, Fla.
Perla Capriles Collection, New York.
Point of Contact Gallery, Syracuse University, Syracuse, New York
Jorge Moya Collection, New York.
Federico de Montalvo, Madrid, Spain.
Ulla & Greger Olsson Collection, Malmo, Sweden
Benjamin Ortiz Collection, Ridgefield, Connecticut
Rogelio Pereda Miranda Collection, México D. F., México
Alain Tergny Collection, Paris, France.
Samuel Wargner Collection, San Juan, Puerto Rico
